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Optimal distinctiveness and the songwriting singer #arp

by Joe Bennett | Sep 4, 2018 | arp, Education, music production, Research, Songwriting

Davey will be discussing songwriter identity in the context of optimal distinctiveness theory, and uses this to frame some popular music within the known teen phenomenon of ‘I loved [that band] before they were famous’. He uses the famous example of iMacs...

Microrhythms and Microsounds in African-American Popular Music

by Joe Bennett | Sep 4, 2018 | arp, IASPM, music production, Popular Music, Research

I always love to hear Anne speak. Alas, I live-blogged her entire hour-long keynote today, complete with examples, and due to a horrible WordPress browser fail (including no success with autosave reversions) I lost all the text and examples! So to recreate it from...

Meaning in vocal timbre #arp

by Joe Bennett | Sep 4, 2018 | arp, music production, Popular Music, Research

  The (Dis) Embodied Voice: hearing meaning in vocal timbre Simon Zagorski-Thomas (London College of Music, UWL) Keywords: Vocal timbre, ecological perception, embodied cognition, sonic cartoons ABSTRACT: It can be argued that since the persona of the performer...
Sample replays… #arp #sampling

Sample replays… #arp #sampling

by Joe Bennett | Sep 4, 2018 | arp, Popular Music, Research, Songwriting

Sample replays and their implications for producers and listeners Justin Morey, Leeds Beckett University ABSTRACT: There is evidence that the cost of clearing the recording copyright of a sample (the master clearance) has risen significantly in the last 20 years (see,...

Service Models in Popular Music Production Education #arp #songwriting

by Joe Bennett | Sep 3, 2018 | arp, Education, music education, music production, Popular Music, Songwriting

Collective Creativity: A ‘Service’ Model of Contemporary Commercial Pop Music Paul Thompson, Leeds Beckett University, UK Phil Harding, Leeds Beckett University, UK Keywords: Creativity, Pop Production, Songwriting ABSTRACT: A commercial pop music production is rarely...

Plagiarism: Musicology’s Proof of the Pudding #arp #iaspm

by Joe Bennett | Sep 3, 2018 | arp, Education, Networked music performance, Popular Music, Research, Songwriting

Franco Fabbri, University of Milan and Conservatorio ‘A.Boito’, Parma Our opening keynote for the conference is the much-loved Franco Fabbri, a much-celebrated musician, educator and musicologist. I was particularly interested to hear this one, because Franco is...
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