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Plagiarism: Musicology’s Proof of the Pudding #arp #iaspm

by Joe Bennett | Sep 3, 2018 | arp, Education, Networked music performance, Popular Music, Research, Songwriting

Franco Fabbri, University of Milan and Conservatorio ‘A.Boito’, Parma Our opening keynote for the conference is the much-loved Franco Fabbri, a much-celebrated musician, educator and musicologist. I was particularly interested to hear this one, because Franco is...

Music Technology, Bandlab and Berklee #apme2018

by Joe Bennett | Jun 25, 2018 | Association of Popular Music Education, music education, music production, Networked music performance

On the bus to the university this morning I introduced myself to the person sat next to me, who turned out to be John Bigus from my own institution (Berklee’s a great community, but it’s a BIG community, so it’s possible to work there for a long time...

On The Fringe (accessible networked music solutions)

by Joe Bennett | Apr 25, 2018 | berklee, Education, music production, Networked music performance, Popular Music, Research

Dan Nichols, University of Northern Illinois ABSTRACT: Over the past several years, perhaps no single person has fostered collaborations with groups on the fringe of networking infrastructure than Dan Nichols of Northern Illinois University. In this session, Dan will...

LOLA, Ultragrid and MVTP updates #networkperformingarts

by Joe Bennett | Apr 25, 2018 | Education, music production, Networked music performance, Research

LOLA, Ultragrid and MVTP updates Claudio Allocchio (GARR) Milos Liska (CESNET) Sven Ubik (CESNET) Project leads for LOLA, Ultragrid and CESNET’s 4K streaming appliance (MVTP) share recent developments for each platform. The presentation will include the recent release...

Recent Posts

  • Did Ed Sheeran copy from ‘Let’s Get It On’? [answer: no]
  • Creative processes in Stock, Aitken and Waterman’s ‘I Should Be So Lucky’
  • Did Mariah Carey plagiarise “All I Want For Christmas Is You”? (answer: no) 
  • Eurovision live musicology blog 2022
  • Eurovision live blog 2022 – get ready!

Recent Comments

  • The blurred lines between inspiration and infringement – Ilarose's blog on Did Robin Thicke steal ‘Blurred Lines’ from Marvin Gaye?
  • The Anno Domini Rag – the story of a song – Terence-Blacker on Irving Berlin: Nine Rules for Writing Popular Songs
  • Eurovision Song Contest: Decades of musical information – ♫ Down to a Note ♪ on Eurovision Song Contest research
  • And Copyright For All… | destroyerofharmony on Creative processes in Stock, Aitken and Waterman’s ‘I Should Be So Lucky’
  • Eurovision Song Contest research – Joe Bennett on Eurovision 2015 live blogging

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