by Joe Bennett | Aug 29, 2022 | musicology, Research, Songwriting
This article is an excerpt from my PhD thesis, posted here in relation to a documentary project for which I was recently interviewed. Stock, Aitken and Waterman were one of several case studies I undertook to compare approaches to creative collaboration in songwriting... by Joe Bennett | Jun 6, 2022 | Copyright, Forensic Musicology, Songwriting
Mariah Carey performs at the Rockefeller Center Christmas tree lighting ceremony in New York in 2014: Photo: Charles Sykes/AP via The Guardian Another week, another spurious music copyright infringement lawsuit. On Friday, Mariah Carey and co-writer Walter Afanasieff... by Joe Bennett | May 13, 2022 | Eurovision, Forensic Musicology, Popular Music, Songwriting
As regular readers will know, I have been live-blogging the ESC since 2011, and in 2020 undertook a larger-scale song analysis for Netflix, where we looked at the meta-characteristics of 259 finalists 2010-2019. To get you in the zone (I’m typing this on... 
by Joe Bennett | Apr 12, 2022 | Copyright, Forensic Musicology, musicology, Plagiarism, Popular Music, Songwriting
Watch on YouTube Interview with Professor Joe Bennett (Forensic Musicologist / Berklee College Of Music) discussing the Ed Sheeran “Shape Of You” verdict in the UK high court. Interview date: April 10, 2022 BBC World Service: World Business Report... 
by admin | Apr 7, 2022 | Copyright, Forensic Musicology, musicology, Popular Music, Songwriting
Analysis: plagiarism row between Ed Sheeran and Sami Chokri is latest in surge of lawsuits against musicians [JB comment – I was interviewed by The Guardian regarding the (IMO appropriate) outcome of the Ed Sheeran ‘Shape Of You’ 2022 case. Here’s an excerpt from... 
by Joe Bennett | Mar 31, 2022 | Education, media, musicology, Popular Music, Songwriting
I was recently asked by WWE to analyse and transcribe five of their top ‘walk-on’ wrestler themes, and to comment on how WWE music themes are designed to reflect to the personas and character roles of each performer. Some consistent musical characteristics... 
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