Survival, Revival and the Negotiation of Gendered Taste in Country and Americana Music Communities
Dave Robinson, Leeds Beckett University
ABSTRACT: Defining marginal country music worlds as broadly either working-class survivalist or middle-class revivalist, I examine how counter-hegemonic representations of gender and sexuality have both infiltrated, and been co-opted by, mainstream ‘country culture’ during the early years of the twenty-first century.
I argue that the disruption of traditional gender roles located in the song lyrics and lived experiences of such country icons as Hank Williams and Kitty Wells, highlights a paradox of American working-class identity that takes on new relevance amongst survivalist cultures in the post-industrial, post-9/11 United States. I also connect the ethics and aesthetics of the alt.country/Americana ‘movement’ to the post-modern anxieties of middle-class urbanites, and to the construction of a more democratic narrative of nationhood from amongst the signifiers of a ‘lost’ rural past.