New Music Ecosystem 2018 conference – live blog

No, the other Washington.

 

Photo by user ilka_paola, caption reads Amazing Guitar Exhibit at the Museum of Pop Culture in Seattle ! 🎸#guitars#guitarexibit#musuemofpopculture#northseattle#ilovemuseums#seattle#dtseattle#downtownseattle#washingtonstate#seattlewashington#exploringseattle#exploreseattle#tourismseattle#beingatourist#goldenhour#sunset#pacificnorthwest#pnw#walkingthestreets#downtowncruising#seattlelife#sunnydayinseattle#fallinseattle#solotraveler#solotravel#musuemgeek#citypass#seattlecitypass

Mopop Seattle. This exhibit is a very large guitar stand, which is arguably not stable enough for touring.

I’m in Seattle at the New Music Ecosystem conference, organised by the University of Washington Law School. It’s a gathering of music and law professionals, discussing the future of creators’ compensation, tech/music innovation, and copyright reform. [Grammar folks – I’ve now been in the USA for long enough, and had Oxford commas inserted into my copy so many times, that I have decided to give in and just use them from hereon].

 

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On The Fringe (accessible networked music solutions)

Dan Nichols, University of Northern Illinois

ABSTRACT: Over the past several years, perhaps no single person has fostered collaborations with groups on the fringe of networking infrastructure than Dan Nichols of Northern Illinois University. In this session, Dan will explain how to reach partners with limited expertise and resources. Prominent software solutions like Artsmesh and Jam Kazaam will be explored.

IMG_0804Thus far, the conference has focused on high-bandwidth institutions with fast Internet2 connections. Dan’s presentation covers bringing networked collaboration to the masses, particularly those who do not have access to these network/hardware/institutional resources.

Dan begins with a description of Jamkazam, a free solution (that also offers a $299 hardware audio interface). After describing its features and virtues, he plays us a demo of multi-site bands jamming at SXSW 2014. [Read more…]

LOLA, Ultragrid and MVTP updates #networkperformingarts

LOLA, Ultragrid and MVTP updates

  • Claudio Allocchio (GARR)
  • Milos Liska (CESNET)
  • Sven Ubik (CESNET)

Project leads for LOLA, Ultragrid and CESNET’s 4K streaming appliance (MVTP) share recent developments for each platform. The presentation will include the recent release of LOLA v1.5.0, new features and a look to the future of LOLA v2.0 and multisite functionally. Milos Liska will lead a walkthrough of the new Ultragrid graphical user interface, which opens of the application to less experienced users. Sven Ubik will share the most recent work with the MVTP appliance with a live demonstration of the technology in action.

LOLA.jpgClaudio is one of the world leaders in this field, and one of the inventors/developers of LOLA (background presentation about LOLA). Today’s presentation is to update the community on the technological advances in the new version LOLA v1.5.0. [JB comment – the tech developments are remarkable, including fast JPEG compression and 120FPS video support – which I find astounding in an internet-based video service, let alone one where super low latencies are crucial].

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Live Network Music collaboration #npapw18

Newworld.jpgI’m in Miami at the annual conference of ‘Network Performing Arts Production Workshops’ (that’s the current title of the organisation; they have stated in the introductory remarks that they’re looking for a more pithy name than ‘NPAPW’!). Our host organisation is the New World Symphony. [Read more…]

Tin Men and the Telephone #tinmendo #berklee #jazz

This morning, on the final day of my visit to Berklee Valencia, I attended a gig/masterclass with the remarkable Dutch jazz trio Tin Men And The Telephone. ‘Jazz Trio’ is really an inadequate term for this ensemble. It might better be described as ‘interactive iPhone jazz gaming with live humans’.

The setup is as follows: the trio is piano, upright bass and drums. The drummer has a MIDI drum pad and snare sensor. The bassist has an effects pedal. The piano has a MIDI converter attachment, feeding a MAX patch, with occasional effects processing of the piano signal.

tinmen.jpg

Tin Men and the Telephone: Tony (piano), Pat (bass) and Bobby (drums). All of the musical information on the backdrop – drum loop (left), melodic fragment (top) and chords (bottom) is generated in real time by audience members using an app. Did I mention they’re amazing improvisers?

And… [Read more…]

How To Negotiate a Contract #berklee #cdbaby #diymusician

Today I attended two presentations at the DIY Musician Conference. The first one, which I’ll get to in a later post (because it’s kinda techy and will take time to write up) was an open DJ session with Ableton Live. The second, which I’ll briefly summarise here, is a one-hour overview of contracts for independent musicians, presented by my estimable colleague Tonya Butler, Assistant Chair of the Music Business department at Berklee.

ABSTRACT: When it comes to getting signed as a musician, a bad deal can be much worse than no deal at all. In this session, Tonya Butler, a top negotiator, will be providing vital information on key music contract clauses while walking the group through the key negotiation points of each clause.

IMG_0618 [Read more…]

The DIY Musician #Berklee #cdbaby

IMG_0593.jpgThis week I’m at Berklee’s campus in Valencia, Spain. There will be some regular work-related meetings while I’m out here, talking about our study abroad options, and the four Masters programs. And this weekend, Berklee Valencia is hosting the DIY Musician conference, with speakers from the College itself, and from various parts of the music industry, including co-sponsors CDBaby (full list of speakers).

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