by Joe Bennett | Dec 1, 2017 | arp, musicology, Popular Music, Research, Songwriting
Differences and Similarities in the Creative Agency of Producers of Pop, Rock and Classical Music Tuomas Auvinen, University of Turku Abstract: In my presentation, I will explore differences and similarities in the creative agency of the producer in the production... by Joe Bennett | Dec 1, 2017 | arp, Popular Music, Research, Songwriting
Phil Harding & Paul Thompson: Collective Creativity in Commercial Pop Music Production: A Service Model Abstract: In his introduction to The Art of Record Production: An Introductory Reader for a New Academic Field (Frith & Zagorski-Thomas, 2012), Simon Frith... by Joe Bennett | Dec 1, 2017 | arp, musicology, Popular Music, Research, Songwriting
The producer’s vision: A study into the multi- faceted cognitive design of the popular music recording aesthetic Brendan Anthony, Griffith University Abstract: Research into popular music record production and its associated creative practice has highlighted that a... by Joe Bennett | Dec 1, 2017 | arp, musicology, Research
For the first time ever, this ARP opens with a rather lovely piano recital by our hosts, which serves as a (surprisingly romantic) introduction to our keynote speaker, Swedish producer Bernard Löhr (discog). Bernard greets us by noting that he has two great interests... by Joe Bennett | Dec 1, 2017 | arp, Popular Music, Research
Welcome to Sweden! For the next three days I’ll be at the Royal College of Music in Stockholm, which is hosting the 12th Art of Record Production conference. As before there will be live blogs from some of the sessions, and I’ll be presenting my own paper later today.... by Joe Bennett | Nov 8, 2015 | arp, Research
Tiffany Naiman, UCLA, USA Abstract: This talk considers the nuances of Debbie Harry’s aging vocal identity on the rerecordings of Blondie’s works “Atomic,” “Rapture,” and “Heart of Glass” that the band recorded for their 2014 box set, Blondie 4(0)Ever: Greatest Hits...
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