Anatomy Of The Hit: Billie Eilish’s ‘Bad Guy’

[This column was originally published on TIDAL.com, and is reproduced here by permission. Words: Joe Bennett]

Anatomy of the Hit: Billie Eilish’s “Bad Guy”

TFW you’re driving and you hear a new song on the radio that makes you pull over to hear it better? I’ve had it three times. The first time was Eminem’s “Stan” in 2000. I just had to know how it ended. The second was in 2013, when I thought Daft Punk’s “Get Lucky” was a 1970s disco classic I’d somehow missed. And the third was Billie Eilish’s “Bad Guy,” partly because the production was so original, but mostly because the vocal was so, well, disturbing.

Bad Guy audio on TIDAL

Thematically, the song is about relationship power dynamics. For all the machismo of the “you” character, and that upsetting opening violent abuse image in the first line, Billie herself is the titular “Bad Guy.” She can out-scare and out-dare him. If he wants to “take control,” she’ll go along with it, up to a point, but she holds all the cards: if he steps out of line, there will be mama-disappointing, girlfriend-antagonizing, dad-seducing hell to pay. The production throughout supports this theme, balancing the scary and the ironic as Billie’s vocal performance veers between threat and disinterest.

Anatomy of the Hit: Bruno Mars and Cardi B ‘Please Me’

[JB note: This article was originally commissioned by TIDAL, and is part of a series – see links below. Parental advisory: adult themes in the lyrics.]

  • Songwriters: Cardi B / Bruno Mars / James Edward II Fauntleroy / The Stereotypes (Ray Charles II Mccullough, Ray Romulus, Jeremy Reeves, Jonathan Yip)
  • Tempo: 67BPM
  • Run time: 3:21
  • Chord loop: |Bm7    C#7(#5b9) | E/F#    F#7(b9) |
  • TIDAL audio: Please Me

Today, we will be talking more about the music than we will be talking about the sex – I mean, the lyrics. Usually with a song analysis, I try to figure out how the words and music work together, and highlight particular phrases that stand out in the musical arrangement. But given that Please Me is a ‘slow jam’, we don’t want all this musicology to kill the mood, so we will mostly let Cardi’s x-rated rapping (and Bruno’s vocal paroxysms) speak for themselves. TIDAL is all about the fidelity, so along with master-quality audio we’ve included the full, un-bleeped lyric. Insert your own asterisks according to taste.