Latin-American popular music: “Paraguay Purahei” #iaspm2017

Gabriel S. S. Lima Rezende – UNILA (Brazil)

The problem of Latin-American popular music: an analysis of “Paraguay Purahei” album (2014)

Paraguay Purahei.jpgABSTRACT: This paper aims to discuss the problem of modernization of popular Latin American music genres from the analysis of “Paraguay Purahei” (2014), the first CD released by the eponymous trio. The theoretical framework that defines the approach belongs to the field of sociology of music, specifically the branch that takes the sound-musical materiality as an essential dimension of social analysis. As part of a broader research on the problem of modernization in popular musics of Latin-America, this proposal focuses on the analysis of the phonograms that constitute the CD mentioned above whereby the effort to understand the meaning of the “modernizing action” is established. This action configures itself in the intertwining of the choice of repertoire, composed exclusively by referential pieces of the traditional repertoire of Paraguay’s popular music, with the compositional-performative procedures used in the treatment of the traditional material. Understanding the meaning of this action implies the identification of idiomatic elements that link the chosen pieces to the traditional repertoire, the types of procedures used in redesigning this traditional material, and the interpretation of how these are interlaced.