IASPM 2014: Songwriter as Seeker

Richard Parfitt (Bath Spa University)

Mona Lisa
The cultural status of Van Morrison’s Astral Weeks is likened to the Mona Lisa; mythology and history may make it impossible to see the art objectively.

Richard begins with a discussion of a personal experience of seeing Mona Lisa recently at The Louvre, and uses this as a springboard to reflect on the difficulty in separating a work from its mythology. He then discusses the ‘Text’ and the ‘Context’ with reference to Tagg.

Leonard Bernstein’s view of Elvis is cited – he described the latter as ‘the greatest cultural force in the twentieth century’ and reflected on his influence on musical grammar. This leads the paper to a discussion of craft and art, and the relationship between creative constraints and an ideas-driven agenda. Such constraints, Richard suggests, can include technically poor musical skills (Sleaford Mods and Ian Curtis are cited as examples), and with these constraints some songwriters can thrive if they have an ‘ideas-driven agenda’.

IASPM 2014: Representations of Scandinavian pop music…

United we stand? Representations of Scandinavian pop music and contradictions thereof.

Arnar Eggert Thoroddsen, University of Edinburgh

Immortal
I love photographs of Norwegian metal bands in snowy forests. They’re so… Nordic.

[Arnar has a background as a music journalist and is a panellist/judge with expertise relating to Nordic pop. As a PhD student he also speaks modestly of his ‘academic wisdom, developing’! He defines ‘Nordic’ as Iceland, Norway, Denmark, Sweden and Finland and contrasts these countries with the ‘all-powerful’ Anglo-American pop tradition. Today’s discussion is about cultural stereotypes in Nordic popular music].

Our first example is Anna von Hausswolff and her video is briefly discussed, mainly for its ‘walking in the snow’ Nordic stereotype.