The Impact of a good tune: Forensic Musicology as research

This article originally appeared on the Million+ blog website. Words: Joe Bennett.

Harrison

George Harrison’s My Sweet Lord was an early casualty of songwriter’s cryptomnesia.

The legendary conductor (and acerbic musical quote-mine) Sir Thomas Beecham once said: “a musicologist is someone who can read music but can’t hear it”. And it’s fair to say that, in terms of profile, musicology is not one of the highest peaks in the UK research landscape. Qualitative research in the arts generally can have a difficult time justifying its existence in an increasingly corporeal and impact-centred (some might say philistine) political agenda, and music has particular difficulties in this regard, being perhaps the most abstract art form of all. Sir Thomas’s view shows clearly and painfully how easy it is to accuse musicology of continually Dancing About Architecture. So it may surprise some readers to learn that my own field of research – creative processes and forensic musicology in popular songwriting – was part of an impact case study for my institution in REF 2014. [Read more…]