by admin | Jun 4, 2021 | Copyright, Forensic Musicology, Plagiarism, Popular Music, Songwriting
The case against Childish Gambino is the latest in a run of copyright claims Article + interview with Joe Bennett. Words: Tom Wainwright. Originally published in The Economist, 15 May 2021. “You motherfuckers owe me!” raps Donald Glover, better known as... ![Did Childish Gambino plagiarize in “This Is America”? [answer: no]](https://joebennett.net/wp-content/uploads/2021/05/This-is-America-CI-865x505-1.jpg)
by Joe Bennett | May 19, 2021 | Copyright, Forensic Musicology, musicology, Plagiarism, Popular Music, Songwriting
Betteridge’s law famously states that “Any headline that ends in a question mark can be answered by the word no”. And so, in the spirit of good blogging and the avoidance of cheap clickbait, I have answered my own question in the title of this post.... 
by Joe Bennett | Sep 4, 2018 | arp, Popular Music, Research, Songwriting
Sample replays and their implications for producers and listeners Justin Morey, Leeds Beckett University ABSTRACT: There is evidence that the cost of clearing the recording copyright of a sample (the master clearance) has risen significantly in the last 20 years (see,... by Joe Bennett | Sep 3, 2018 | arp, Education, Networked music performance, Popular Music, Research, Songwriting
Franco Fabbri, University of Milan and Conservatorio ‘A.Boito’, Parma Our opening keynote for the conference is the much-loved Franco Fabbri, a much-celebrated musician, educator and musicologist. I was particularly interested to hear this one, because Franco is... by Joe Bennett | May 5, 2018 | Copyright, Education, music production, Research, Songwriting
No, the other Washington. I’m in Seattle at the New Music Ecosystem conference, organised by the University of Washington Law School. It’s a gathering of music and law professionals, discussing the future of creators’ compensation, tech/music...
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