Adam Behr: Newcastle University
Narrating Popular Music: The state of the live music ecology
ABSTRACT: This paper introduces the political and industrial context of the Great British Live Music Census. It builds on the theorization of live music in cities as an ‘ecology’, which has informed the development of the census project, and looks specifically at the role of the state (local and national) in shaping the musical lives of cities and their inhabitants. Whilst music is often deployed as part of city branding exercises, and used to drive trade, tourism and regeneration, venues and musicians are often at the sharp end of such changes. With policy formed with the benefit of the wider economy and populace in mind, musicians and music businesses attempt to carve out a space in the regulatory process to protect and sustain their activities. This paper examines the dynamic between grassroots music activity, the larger commercial operators and policy bodies that has both informed the census and been a feature of the ecology that the project team has had to negotiate. It discusses the political decisions, the responses of musicians and music industry personnel, and the space for academics within this equation.