by Joe Bennett | Jun 25, 2018 | Association of Popular Music Education, music education, music production, Networked music performance
On the bus to the university this morning I introduced myself to the person sat next to me, who turned out to be John Bigus from my own institution (Berklee’s a great community, but it’s a BIG community, so it’s possible to work there for a long time... 
by Joe Bennett | Apr 18, 2018 | Education, Popular Music
This morning, on the final day of my visit to Berklee Valencia, I attended a gig/masterclass with the remarkable Dutch jazz trio Tin Men And The Telephone. ‘Jazz Trio’ is really an inadequate term for this ensemble. It might better be described as... by Joe Bennett | Apr 15, 2018 | Copyright, Education
Today I attended two presentations at the DIY Musician Conference. The first one, which I’ll get to in a later post (because it’s kinda techy and will take time to write up) was an open DJ session with Ableton Live. The second, which I’ll briefly... by Joe Bennett | Apr 14, 2018 | Copyright, Education, Popular Music
This week I’m at Berklee’s campus in Valencia, Spain. There will be some regular work-related meetings while I’m out here, talking about our study abroad options, and the four Masters programs. And this weekend, Berklee Valencia is hosting the DIY... by Joe Bennett | Oct 28, 2016 | Copyright, Education, Popular Music, Research
My first full session today at the CMS conference is presented by Berklee faculty members Peter Alhadeff and Luiz Augusto Buff. They are, today, analysing and critiquing Berklee’s Fair Music Report. Peter begins with some caveats; he comments that the report... 
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