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Music Technology, Bandlab and Berklee #apme2018

by Joe Bennett | Jun 25, 2018 | Association of Popular Music Education, music education, music production, Networked music performance

On the bus to the university this morning I introduced myself to the person sat next to me, who turned out to be John Bigus from my own institution (Berklee’s a great community, but it’s a BIG community, so it’s possible to work there for a long time...

Musicality and Creativity in Curriculum

by Joe Bennett | Jun 25, 2018 | Association of Popular Music Education, Education, Popular Music, Research

‘Keeping Musicality and Creativity at the Heart of Curriculum and Assessment’ Presenter: Matthew Cossey (ICA Nexus / University of West London) Matthew opens with a discussion of the role of curriculum in popular music education, noting that the skills...

Association for Popular Music Education #apme #songwriting

by Joe Bennett | Jun 25, 2018 | berklee, Education, music production, Popular Music, Songwriting

I’m in Nashville, at the #apme conference, hosted by Middle Tennessee State University. Popular Music Education is still a relatively young field, at least in terms of having its own conference (launched ~10 years ago) and journal (launched last year). More...

Recent Posts

  • Did The Rolling Stones plagiarize? [no]
  • Did Ed Sheeran copy from ‘Let’s Get It On’? [answer: no]
  • Creative processes in Stock, Aitken and Waterman’s ‘I Should Be So Lucky’
  • Did Mariah Carey plagiarise “All I Want For Christmas Is You”? (answer: no) 
  • Eurovision live musicology blog 2022

Recent Comments

  • The blurred lines between inspiration and infringement – Ilarose's blog on Did Robin Thicke steal ‘Blurred Lines’ from Marvin Gaye?
  • The Anno Domini Rag – the story of a song – Terence-Blacker on Irving Berlin: Nine Rules for Writing Popular Songs
  • Eurovision Song Contest: Decades of musical information – ♫ Down to a Note ♪ on Eurovision Song Contest research
  • And Copyright For All… | destroyerofharmony on Creative processes in Stock, Aitken and Waterman’s ‘I Should Be So Lucky’
  • Eurovision Song Contest research – Joe Bennett on Eurovision 2015 live blogging

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