Annoying tunes: mobile ways of listening. Amparo Lasén (Universidad Complutense de Madrid, Spain)
Chair: Hector Fouce
Annoying tunes: mobile ways of listening. Amparo Lasén (Universidad Complutense de Madrid, Spain) 2013
Mobile phones used as portable sound technologies entail a contemporary urban way of listening to music, which remediates previous ways of listening: youngsters and young adults who carry their phones in their hands, playing tunes loud, when being on their own or in group, using public transport, strolling in a Mall, walking on the streets, or sitting in a park or a square. This is understood as a way of sharing and signing the listening, which elicits controversies and generates online and offline debate. It is characterised by aspects common to other mobile phones uses: personal comfort when being in the move; the multi- sensuous relationship with the device, with the relevance of touch; personalisation as a form of mutual stylisation between people and devices; the creation of a personal space in public places; and the mobile as part of the public performance of how to be and act as a stranger. Some of these aspects related to territoriality, such as personal comfort and personalisation, are also characteristic of music listening and consumption, and both converge in this particular practice of digitally mediated lo-fi music listening.
Amparo started, appropriately enough, with a tinny playback of Lady Gaga’s Bad Romance on her phone, which leaked into the microphone, briefly obscuring her voice. If this was unintentional it was apposite; if not, it was a brilliant piece of theatre! She then played back a video excerpt from Star Trek: The Voyage Home (1986) where Spock uses his Vulcan powers to silence an obnoxious 20thC individual travelling on a bus with a loud ‘ghetto blaster’ – and is applauded by the fellow travellers.