by Joe Bennett | May 14, 2022 | Eurovision, musicology
Kalush Orchestra (Ukraine), who won the 2022 contest with their song ‘Stefania’. A better result than last year with the predictions – I got a home run on the top 3, and only missed one outsider – Serbia, for which I guess I misread the lyric theme.... by Joe Bennett | May 13, 2022 | Eurovision, Forensic Musicology, Popular Music, Songwriting
As regular readers will know, I have been live-blogging the ESC since 2011, and in 2020 undertook a larger-scale song analysis for Netflix, where we looked at the meta-characteristics of 259 finalists 2010-2019. To get you in the zone (I’m typing this on... 
by Joe Bennett | May 22, 2021 | berklee, Eurovision, Forensic Musicology, music production, musicology, Popular Music, Songwriting
[update: the next day] So, the predictions were mostly reasonably close, although I missed Switzerland completely. Italy won (I predicted 4th), I got France right at 2nd place, and Iceland came 4th (predicted as 3rd). My predicted winner (Malta) actually came in at... by Joe Bennett | May 22, 2021 | berklee, Eurovision, Popular Music, Songwriting
[looking for the live-blog and song commentary?] It’s Eurovision-eve! Yes, the live musicology blog is back after it, and the contest itself, has been absent for a year. We didn’t waste time though: Netflix asked us to analyse all 259 finalists 2010-2019... 
by Joe Bennett | Jun 30, 2020 | Eurovision, Popular Music, Songwriting
Regular readers will know that I have been live-blogging the Eurovision Song Contest final since 2011. Every year I sit down in front of the TV, metronome and guitar in hand, and write live musical analysis of the songs in real time, then attempt to predict the winner... 
by Joe Bennett | May 18, 2019 | Eurovision
[update – the day after] I correctly predicted the winner (Netherlands), but my second and third place predictions (Sweden and Australia) were a little further down the list: Sweden was 6th, Australia 9th. Not bad. Here’s an interactive infographic of the...
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