by admin | Jun 4, 2021 | Copyright, Forensic Musicology, Plagiarism, Popular Music, Songwriting
The case against Childish Gambino is the latest in a run of copyright claims Article + interview with Joe Bennett. Words: Tom Wainwright. Originally published in The Economist, 15 May 2021. “You motherfuckers owe me!” raps Donald Glover, better known as...
by Joe Bennett | May 19, 2021 | Copyright, Forensic Musicology, musicology, Plagiarism, Popular Music, Songwriting
Betteridge’s law famously states that “Any headline that ends in a question mark can be answered by the word no”. And so, in the spirit of good blogging and the avoidance of cheap clickbait, I have answered my own question in the title of this post.... by Joe Bennett | May 5, 2018 | Copyright, Education, music production, Research, Songwriting
No, the other Washington. I’m in Seattle at the New Music Ecosystem conference, organised by the University of Washington Law School. It’s a gathering of music and law professionals, discussing the future of creators’ compensation, tech/music... by Joe Bennett | Apr 15, 2018 | Copyright, Education
Today I attended two presentations at the DIY Musician Conference. The first one, which I’ll get to in a later post (because it’s kinda techy and will take time to write up) was an open DJ session with Ableton Live. The second, which I’ll briefly... by Joe Bennett | Apr 14, 2018 | Copyright, Education, Popular Music
This week I’m at Berklee’s campus in Valencia, Spain. There will be some regular work-related meetings while I’m out here, talking about our study abroad options, and the four Masters programs. And this weekend, Berklee Valencia is hosting the DIY...
by Joe Bennett | Jan 9, 2018 | Copyright, musicology, Plagiarism, Popular Music, Songwriting
This week, Lana Del Rey stated that she is being sued for copying Radiohead’s 1992 song Creep in her 2017 release, Get Free. It’s true about the lawsuit. Although I know my song wasn’t inspired by Creep, Radiohead feel it was and want 100% of the publishing...
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