Today I’ve been at the University of Bristol with scholars from the Severn Pop Network. We were discussing Carl Wilson’s book Celine Dion’s Let’s Talk About Love: A Journey To The End of Taste. It’s an interesting read, using CD’s work, biography and persona to drive a discussion of what we perceive as ‘good’ and ‘bad’ music and why, and how this contrasts with demographic and literal popularity of a pop product. I personally find Wilson’s lack of musicological comment to be slightly annoying (he makes almost no reference at all to the musical content of the works, or the works of the other artists he uses for contrast – for example, Elliott Smith). Wilson’s own musical prejudices (as he very occasionally admits) are obvious in the book, and he never attempts to quantify his reasons for disliking Dion’s work. He does, however, get into a fascinating discussion of Dion’s Québécois cultural background and the way the French-Canadian music industry’s economic evolution in the last 20-30 years has contributed to its content. I found it to be a very entertaining book, and not terribly academic, apart from the allusions to Bourdieu’s concept of cultural capital in chapter 8. I just get irritated when people talk about music without mentioning the music…
Here’s a playlist of some of the music cited (and implicitly cited) in the book.
Here’s a few relevant citations, and a video from Steve Almond providing his own take on the discussion of taste and fandom.