PopMAC day 3: Applying melodic analysis to infer the extent of plagiarism #popmac


Applying melodic analysis to infer the extent of plagiarism in popular song authorship disputes. Joe Bennett, Bath Spa University

This is my own paper. I’ll publish the slides online  soon, but for now I’ve posted the references, as a few people requested today. I hope to publish something more substantial on this work in 2014. For context, here are a couple of links to my previous research into songwriting creativity;

  • Bennett, Joe. “Constraint, Collaboration and Creativity in Popular Songwriting Teams.” In The Act of Musical Composition: Studies in the Creative Process, edited by David Collins, 139–169. SEMPRE Studies in The Psychology of Music. Ashgate, 2012.  Download pdf
  • Bennett, Joe. “Collaborative Songwriting – the Ontology of Negotiated Creativity in Popular Music Studio Practice.” In Journal of the Art of Record Production 2010. Leeds, UK: Art of Record Production, 2011. Download pdf (English) • Download pdf (Spanish)

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REFERENCES

Bently, Lionel. “Authorship Of Popular Music in UK Copyright Law.” Information, Communication & Society 12, no. 2 (March 2009): 179–204.

Boden, Margaret. The Creative Mind : Myths and Mechanisms. 2nd ed. Routledge, 2004.

Cason, R. J. S., and D. Müllensiefen. “Singing from the Same Sheet: Computational Melodic Similarity Measurement and Copyright Law.” International Review of Law, Computers & Technology 26, no. 1 (2012): 25–36.

Cronin, Charles. “Music Copyright Infringement Resource – Sponsored By USC Gould School of Law,” 2002. http://mcir.usc.edu/cases/

Csikszentmihalyi, Mihaly. “Society, Culture, and Person: a Systems View of Creativity.” In The Nature of Creativity : Contemporary Psychological Perspectives, 325–339. CUP 1988.

Demers, Joanna. Steal This Music – How Intellectual Property Law Affects Musical Creativity.  University of Georgia Press, 2006.

Melodic Similarity: Concepts, Procedures, and Applications. Computing in Musicology 11. Cambridge, Mass. : Stanford, CA: MIT Press ; CCARH, Stanford University, 1998.

Lund, J. “An Empirical Examination of the Lay Listener Test in Music Composition Copyright Infringement.” (2012). http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2030509.

Melodic Similarity: Concepts, Procedures, and Applications. Computing in Musicology 11. MIT Press, 1998.

Temperley, David. Music and Probability. MIT Press, 2007.

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