I’ve recently been researching musicians and neuroscience as part of my PhD in collaborative songwriting, and I’m starting to form the impression that the academics in the USA are a little freer with the copyright on their publications than many of their UK equivalents. Here’s an example from the Neurosciences Institute’s Aniruddh D. Patel. And here’s Laurence Parsons, a UK-based academic working in a similar area of research. Patel’s publications list has pdfs directly downloadable from the webpage with no login; Parsons’ page sends us to the usual gateways (JSTOR etc). This is not to compare the individuals, more the policies of openness relating to their respective institutions.
Anyway, this was just a quick example – I’ve ranted about the issues about copyright relating to academic journals in the Web 2.0 blog. The main point of today’s entry is to fly the flag for Zotero, an online research tool I’ve recently discovered in case any researcher academics stumble across this blog. I’ve been using Endnote (a commercial application costing over £100) and I wanted to find out if it would fulfil my own research needs, namely;
- Storage of journal articles in The Cloud
- Full text search of all documents
- Drag and drop citation functionality using MS Word
- Automatic web page indexing
- Drag and drop citation functionality using Google docs
And I was amazed to discover that there’s a Firefox plugin that does all these things and more – outperforming Endnote (the application I’ve been using) and RefWorks (the one the University uses) and supplies 100MB of online storage. And it’s free!
Here’s their blurb;
Zotero is an easy-to-use yet powerful research tool that helps you gather, organize, and analyze sources (citations, full texts, web pages, images, and other objects), and lets you share the results of your research in a variety of ways. An extension to the popular open-source web browser Firefox, Zotero includes the best parts of older reference manager software (like EndNote) — the ability to store author, title, and publication fields and to export that information as formatted references — and the best parts of modern software and web applications (like iTunes and del.icio.us), such as the ability to interact, tag, and search in advanced ways. Zotero integrates tightly with online resources; it can sense when users are viewing a book, article, or other object on the web, and—on many major research and library sites—find and automatically save the full reference information for the item in the correct fields. Since it lives in the web browser, it can effortlessly transmit information to, and receive information from, other web services and applications; since it runs on one’s personal computer, it can also communicate with software running there (such as Microsoft Word). And it can be used offline as well (e.g., on a plane, in an archive without WiFi).
Here’s a detailed comparison of several of the bibliographic applications available.
Yes, I know the blog’s been a bit quiet lately. The studio has actually been quite busy with the Widcombe project and a couple of small freelance things, but mainly I’ve been preparing for a lot of commitments and events outside Bath in November. I’ve started the songwriting PhD (at Surrey) and had an initial meeting with my supervisor, Prof Allan Moore. The working title of the PhD is ‘investigating creative interactions in collaborative songwriting’ and I’ve been reading background materials for my initial literature review. I’ll probably post some more detail soon about the PhD for any interested songwriters or other musicians & academics – I’m hoping that the blog will be useful in this respect, because I want to (continue to) amass a comprehensive list of songwriting-related contacts, publications and interviews etc. So it’s always great to hear any recommendations that people may have for songwriting books or analyses – or, for that matter, any experienced collaborators who want to find out more about the study. There seems to be only one book that deals specifically with collaborative songwriting – Walter Carter’s The Songwriter’s Guide To Collaboration. Not that the PhD is going to be exclusive academic – it will involve interviews with songwriters and a lot of actual co-writing (it combines musicology and composition).
Part of the work involves investigating the psychology of creativity, in musicians and others, so it’s fortuitous that there’s a conference next week at Surrey about this very subject.
And I’m gearing up for a week in Scotland at the end of November working on the Burnsong project. Burnsong is a Scottish (Arts Council) organisation that promotes songwriting – not the songs of Burns himself, but of the values and beliefs he expressed in his work. They run an international songwriting competition, and the ten winning songwriters spend a week writing and recording at a remote farmhouse in Dumfries. We’re then going to perform the songs at a one-off gig (on 30th Nov) at the Scottish Parliament building, which will be broadcast by BBC Radio Scotland. Apparently we’re setting up the whole band on the staircase pictured – I’m intrigued!
Producer Chris Blanden and I worked on the Burnsong project back in 2007 (the songwriting venue was the same, but the 2007 gig was at BBC Glasgow). For 2009, the whole Burnsong event promises to be larger in scale, due partly to the fact that 2009 is the 250th anniversary of Robert Burns’ birth. We’ve already heard the winning songs, and there’s some good stuff there, from traditional Scottish folk music to acoustic singer-songwriters, and (I kid you not) a plate-smashing song. I’m planning to blog the project every day anyway (as we did in 2007), and as before will try to get as many MP3s and lyrics online as possible; it’s possible that the project will generate 50+ songs (10 writers, 7 days) and Chris is pretty adept at producing good-quality acoustic demos from the first playback sessions.
And now some bad news. I’m locked out of the studio! Rainwater found its way into the wood of the exterior door, which has now swelled so much that I can’t get it open. Hoping for some dry weather, and that it will shrink a little, so I can book a Man With A Plane. And a guitar recording project came in this week with a 7-day turnaround. So I’m going to do this using Chris’ help and a mobile recording setup. Which, as he says, kinda proves the point that we, er, don’t need studios any more…